
Upload the recent picture first
The photograph they are missing from. Order matters: the first upload is the one that survives untouched, the second is the person being brought into it.
An old scan · A recent picture · No app to install
Give your family the moment they missed, made real from the two photographs you already have.
A real run, from the two photographs above. Drag the divider: the empty chair becomes his place at the table, in the same warm lamplight and at the same softness as the rest of the frame, with no glow and no transparency. Everything else — the painting, the lamp, the cake, all four faces — is pixel-for-pixel where it was. Picture the meal your family sat down to last year, with him at the end of the table.


Drag to compare before and after
Most families have a picture that hurts to look at because of who is not in it — the christening, the graduation, the wedding, the first Christmas after. This tool takes that picture and an old photograph of the person who is gone, and returns one image in which they are there: seated at the table, at the right scale, under the same lamp as everyone else. It answers what people type when they cannot bring themselves to ask anyone.
The alternatives are all worse. A memorial app drops a faded cut-out into the corner and calls it a tribute, which fools nobody and comforts nobody. A retouch artist on a forum makes you wait days for somebody else's guesswork. Here you add deceased loved one to photo from two uploads: the picture that exists, and the scan you have kept.
The edit runs on GPT Image 2.5 Flare in the browser with free credits to start, the flow opens on image-to-image so the family photograph is what everything is built around, and the credit estimate updates before you commit.
Creative engine
Upload the recent picture, upload the old one, say where they belong, and the credit estimate updates before you generate.

Whatever was taken since. A gap in the frame helps but is not needed — an empty chair, the end of a row, or a place beside someone's shoulder all work.

A passport picture, a cropped wedding photo, a snapshot from the album. Older and softer than the family shot is normal and expected; it does not have to match.

She got the degree her grandmother talked about for years, and the only photograph of the day has a gap on the left of her mother.

The album print of her grandmother is faded and soft; in the result she carries the graduation photo's own sharpness, colour and afternoon sun, which is what stops her reading as pasted in.
Runs in the browser with free credits — nothing to install. If the recent picture also has strangers in the background, remove person from photo clears them out first, and the general add person to photo tool covers anyone who was simply not there that day.
From an album scan and a recent picture to one photograph, with the cost shown before you commit.

The photograph they are missing from. Order matters: the first upload is the one that survives untouched, the second is the person being brought into it.

Photograph the album page with your phone if you have no scan — flat on a table, daylight from a window, no flash on the glossy paper. The face is what matters.

Name the place and the neighbour: in the empty chair at the near end, standing behind his daughter, on the left of the bride. Ask plainly for them to look like an ordinary person present that day — no glow, no transparency. Each finished picture uses the credits in the estimate shown before you run it, and technical render errors return their credits.
The reasons people add deceased loved one to photo are nearly always the same three occasions.

The formal group photograph is taken once, on the day, and a father or a grandmother who did not live to see it is absent from the only copy that exists.

A christening, a first birthday, a first day of school. Putting them in the frame is how the child grows up seeing the two of them together.
Every Christmas, every anniversary meal. The empty seat is the thing everybody notices in the photo and nobody says out loud.
What people want to know before they add deceased loved one to photo on Kavel.
Upload the picture they are missing from, upload an old photograph of them, and say where in the frame they belong. It takes two uploads for a reason: the second one is who they are, so the result is that person rather than a stranger who fits the description.
Name the place and the person beside it — in the empty chair at the near end, standing behind his daughter, at the left of the row — and ask for them to look like an ordinary person who was present. Placement is the instruction that decides whether the picture looks real.
Describe the position, the neighbour and the look you want, and say explicitly that there should be no glow, halo, cloud or transparency. That last phrase matters: without it, image models reach for memorial imagery, and a translucent figure in the corner is exactly the result families do not want.
Two uploads, and one instruction that most people forget: say there should be no glow, halo, cloud or transparency. They are then placed at full opacity, at the scale the scene calls for, lit by the same light as everyone else and with a shadow that falls the same way. The result is a photograph of a family, not a tribute graphic.
With whatever photograph of them you still have — an old, soft, slightly blurry album picture is the normal case rather than the exception, and a phone snap of the album page carries a face perfectly well. If the print is creased, torn or badly faded, run it through old photo restoration first and use the repaired version as the second upload. Every account starts with free credits, so you can try it on your own family photograph before deciding anything.
Credits are shared across everything Kavel runs. You see the cost before each run, and a failed job is never charged.
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One upload is the day it happened; the other is the person who should have been standing in it. What comes back is the photograph your family would have had. Your account starts with free credits, so you can put them back in the room today.