One bridal photo in · Every length in minutes · No appointment
See the veil that makes your whole bridal look click on your own photo, so you can stop imagining, choose with confidence and finally feel like the bride you pictured. No appointment, no shop to visit.
A real run on Kavel, from a styled portrait with no veil. Drag the divider and watch the chignon: the comb seats into the same hair, and the tulle goes sheer over the shoulder rather than covering it. Yours is built the same way around your own hair and gown.
Drag to compare before and after
It takes one photo of you in bridal hair and dress, then renders a wedding veil into it — the right length, the right tulle weight, pinned where a stylist would pin it — so you can skip the second salon appointment and order the veil you love with confidence.
Veil shopping is the one bridal decision made almost entirely from imagination. The gown gets tried on; the veil usually arrives as a folded rectangle on a shop counter, or as a product photo on a model whose hair, height and neckline are nothing like yours. Here the veil is rendered right in your browser as real fabric, with the weight and sheer of the tulle, rather than as a flat cut-out.
The pass keeps your face, hairstyle, gown, jewellery and background exactly as photographed and adds only the veil, which is the only way the preview answers the question you actually have.
Creative engine
Upload a styled bridal photo, name the length and the edge finish, and each variation runs as its own fresh generation.
Sheer tulle with the background visible through it, a comb where a comb goes, and lace that follows the fall of the cloth. An overlay sits on top of the picture; fabric sits in it, and the giveaway is whether you can see the wall through the tulle.
Face, makeup, updo, gown, earrings and light stay exactly as they were photographed. If the hair changes when the veil arrives, the preview has stopped being about the veil and you are looking at a different bride.
The veil anchors the bridal styling, so lock in the length, finish and tulle weight here first. With it settled, the AI outfit generator and the virtual ring try on finish the look around it.
From one styled photo to a decision you can make without a second appointment.
The comb has to sit in the hairstyle you have actually chosen, so photograph the updo or the half-up, not a ponytail you plan to change. Frame a half-body or three-quarter shot with space above your head, so a long veil has somewhere to fall.
Cathedral, chapel, fingertip, elbow, birdcage — then the finish: raw cut, satin ribbon, corded edge, scalloped Chantilly lace, scattered pearls — and the shade: ivory, diamond white, champagne or soft blush, matched to the true tone of your gown.
Each length is its own generation, so put them beside each other rather than judging one alone. A failed run is refunded automatically, so your credits only go on the lengths that actually come back.
Brides deciding, brides buying online, families weighing in from three time zones, and stylists who need the client to see it.
The appointment gave you cathedral and fingertip and no way to remember which one worked. Render both onto the same portrait and the answer stops depending on memory.
Marketplace listings photograph veils on models with different hair and height. Render the veil from the listing onto your own photo: the closest thing to holding it up in the mirror before you buy.
Sending two rendered options to a mother, a sister and a best friend gets you a straight answer. Sending a folded rectangle of tulle gets you three questions.
A grandmother's veil is usually longer, heavier lace and a different white. Rendering that description onto your gown shows whether it needs shortening or re-edging before the day.
A blusher changes where the hair sits; a mantilla changes the neckline entirely. Seeing it early means the hairstyle decision is made with the veil in the frame, not after it.
Common questions about rendering a bridal veil onto your own photo with Kavel.
The standard bridal ladder all works: birdcage at the cheekbone, blusher over the face, elbow, fingertip, waltz at the calf, chapel to the floor and cathedral trailing past the train. Name the one you want in the prompt; if you are unsure of the term, describe where it should land on your body instead and that works just as well.
Yes — the pass is written to leave your hair, face, makeup, jewellery, gown and background untouched and to add only the veil and its comb. That is the point of doing it on your own photo: if the updo changed, the render would be answering a question you did not ask.
It can. Ask for the blusher layer down and you get the front panel falling over the face with the features soft behind the tulle, which is a different decision from the same veil worn back. Many brides want both rendered, since the ceremony and the photographs use them differently.
The edge finish is the detail worth naming precisely. Scalloped Chantilly, corded Alençon, a plain satin ribbon and a raw cut edge each read differently at a distance, and the render follows the description you give it. Vague prompts get a generic edge, so say which one.
For a wedding veil render: a half-body or three-quarter frame, hair already styled as it will be worn, even light from a window, and clear space above and behind your head. A long veil needs somewhere to fall, so a portrait cropped tight at the crown leaves the render nowhere to put it.
Yes. Ivory, diamond white, champagne and soft blush are all common in real bridal stock and all render. Worth doing if your gown is ivory rather than white, since a bright white veil against an ivory dress is a mismatch that photographs more obviously than it looks in a shop.
The estimate sits on screen before you generate and moves with the format and resolution you pick, so the number is never a surprise. A failed run is never charged, and a new account starts with enough free balance to compare a couple of lengths before spending anything.
Use it to settle the look before your fitting, then arrive already knowing which two veils deserve mirror time.
Credits are shared across everything Kavel runs. You see the cost before each run, and a failed job is never charged.
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Payments are processed by Stripe over an encrypted checkout. Your card details are handled by Stripe and are never stored by Kavel.
Once the veil clicks, finish the bridal look on your own photo instead of leaving the ring, dress and styling to guesswork.
One styled photo in, every length rendered onto your own hair and gown. No appointment, no shipping, no imagining how it falls — and a new account starts with enough free balance to compare a couple of lengths.
