
Shoot the hair you will wear
The comb has to sit in the hairstyle you have actually chosen, so photograph the updo or the half-up, not a ponytail you plan to change. Leave space above your head.
One bridal photo in · Every length in minutes · No appointment
Cathedral, fingertip, birdcage or mantilla — pinned into your hair, falling over your dress, in one photo you already have. Free credits to begin, no appointment.
A real run on Kavel, from a styled portrait with no veil. Drag the divider and watch the chignon: the comb seats into the same hair, and the tulle goes sheer over the shoulder rather than covering it. Every output is AI-generated, so your result varies with your photo — treat this as a guide to what the tool does, not a fixed result you will get back exactly.


Drag to compare before and after
It takes one photo of you in bridal hair and dress, then renders a wedding veil into it — the right length, the right tulle weight, pinned where a stylist would pin it — so you can judge the look before an appointment.
Veil shopping is the one bridal decision made almost entirely from imagination. The gown gets tried on; the veil usually arrives as a folded rectangle on a shop counter, or as a product photo on a model whose hair, height and neckline are nothing like yours. This runs on the Nano Banana 2 editor in the browser, which is why the result reads as fabric rather than as a cut-out.
The pass keeps your face, hairstyle, gown, jewellery and background exactly as photographed and adds only the veil, which is the only way the preview answers the question you actually have.
Creative engine
Upload a styled bridal photo, name the length and the edge finish, and each variation runs as its own fresh generation.

Sheer tulle with the background visible through it, a comb where a comb goes, and lace that follows the fall of the cloth. An overlay sits on top of the picture; fabric sits in it, and the giveaway is whether you can see the wall through the tulle.

Face, makeup, updo, gown, earrings and light stay exactly as they were photographed. If the hair changes when the veil arrives, the preview has stopped being about the veil and you are looking at a different bride.
Working through the rest of the look? Put the whole outfit together in the AI outfit generator, and settle the band and setting question in the virtual ring try on.
From one styled photo to a decision you can make without a second appointment.

The comb has to sit in the hairstyle you have actually chosen, so photograph the updo or the half-up, not a ponytail you plan to change. Leave space above your head.

Cathedral, chapel, fingertip, elbow, birdcage — then the finish: raw cut, satin ribbon, corded edge, scalloped Chantilly lace, scattered pearls. Both change the look more than the colour does.

Each length is its own generation, so put them beside each other rather than judging one alone. A failed run is never charged, which makes the fourth option as cheap to look at as the first.
Brides deciding, brides buying online, families weighing in from three time zones, and stylists who need the client to see it.

The appointment gave you cathedral and fingertip and no way to remember which one worked. Render both onto the same portrait and the answer stops depending on memory.

Marketplace listings photograph veils on models with different hair and height. Putting the same description onto your own photo is the closest thing to holding it up in the mirror.

Sending two rendered options to a mother, a sister and a best friend gets you a straight answer. Sending a folded rectangle of tulle gets you three questions.

A grandmother's veil is usually longer, heavier lace and a different white. Rendering that description onto your gown shows whether it needs shortening or re-edging before the day.

A blusher changes where the hair sits; a mantilla changes the neckline entirely. Seeing it early means the hairstyle decision is made with the veil in the frame, not after it.
Common questions about rendering a bridal veil onto your own photo with Kavel.
The standard bridal ladder all works: birdcage at the cheekbone, blusher over the face, elbow, fingertip, waltz at the calf, chapel to the floor and cathedral trailing past the train. Name the one you want in the prompt; if you are unsure of the term, describe where it should land on your body instead and that works just as well.
Yes — the pass is written to leave your hair, face, makeup, jewellery, gown and background untouched and to add only the veil and its comb. That is the point of doing it on your own photo: if the updo changed, the render would be answering a question you did not ask.
It can. Ask for the blusher layer down and you get the front panel falling over the face with the features soft behind the tulle, which is a different decision from the same veil worn back. Many brides want both rendered, since the ceremony and the photographs use them differently.
The edge finish is the detail worth naming precisely. Scalloped Chantilly, corded Alençon, a plain satin ribbon and a raw cut edge each read differently at a distance, and the render follows the description you give it. Vague prompts get a generic edge, so say which one.
For a wedding veil render: a half-body or three-quarter frame, hair already styled as it will be worn, even light from a window, and clear space above and behind your head. A long veil needs somewhere to fall, so a portrait cropped tight at the crown leaves the render nowhere to put it.
Yes. Ivory, diamond white, champagne and soft blush are all common in real bridal stock and all render. Worth doing if your gown is ivory rather than white, since a bright white veil against an ivory dress is a mismatch that photographs more obviously than it looks in a shop.
The estimate sits on screen before you generate and moves with the format and resolution you pick, so the number is never a surprise. A failed run is never charged, and a new account starts with enough free balance to compare a couple of lengths before spending anything.
It answers the look question, not the fit question. Weight, drape in a breeze, how it sits under a hairpiece and whether the comb holds are things only the physical veil can tell you. What it does is get you to the appointment already knowing which two to ask for.
Credits are shared across everything Kavel runs. You see the cost before each run, and a failed job is never charged.
What's included
Secure checkout by Stripe. Card details never touch our servers.
What's included
Secure checkout by Stripe. Card details never touch our servers.
What's included
Secure checkout by Stripe. Card details never touch our servers.
What's included
Secure checkout by Stripe. Card details never touch our servers.
Charges appear as “KAVEL AI” on your card statement. You can cancel any time from Settings → Billing; cancellation takes effect at the end of the period you already paid for. Operator details, the full model list, and the refund window are on the about page.
One styled photo in, every length rendered onto your own hair and gown. No appointment, no shipping, no imagining how it falls.