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One still photo in · A few seconds of motion out · Runs in the browser

Bring Photos to Life

Not a zoom across a still. The face itself moves — a breath, a blink, a small turn of the head — while the room, the clothes and the light stay exactly as the photographer left them.

Small motion, not performanceThe room stays putDamage is not a blocker
Examples

Stills that started moving

Two clips generated from single photographs. Watch the shoulders and the eyeline rather than the mouth — small motion is what sells it. Every output is AI-generated and varies with your photo and prompt.

A 1940s portrait, repaired first
An 1800s family group

Drag to compare before and after

AI video tool

What does it mean to bring a photo to life?

A single still photograph becomes a few seconds of video in which the subject moves — breathing, blinking, a small turn, a smile arriving. The framing, clothing, background and lighting stay as photographed; only the person is animated.

Video tool

The version of this everyone has seen is the Ken Burns pan: a slow push across a still while nothing in the picture actually changes. It is a camera trick performed on a photograph. What happens here is the opposite — the camera does not move at all, and the subject does. That is a much harder problem, because the model has to invent what the back of a head looks like when it turns, and what a face does between one expression and the next.

It matters most on pictures where the person is no longer around to photograph again. A studio portrait from the 1890s gave its subject one expression, held for however long the exposure took, and that expression is all anyone has ever seen of them. Watching the same face settle its shoulders and glance aside is a different experience from looking at the plate, and people are usually not prepared for how different.

Restoration and animation are separate jobs, and doing the first one first helps. If your photograph is torn or badly faded, run it through old photo restoration before it comes here — a repaired, colourised still gives the animation more to work with. For prints that are simply small or soft, the HD photo converter is the step to take first.

Creative engine

What the run involves

Upload the still, ask for small motion, pick the length and resolution — the credit estimate updates before you generate.

1 still
Photo in
Locked camera
Default motion
Free retries
Failed runs

The camera stays still

No pan, no push, no drift. Every bit of movement in the frame belongs to the person in it, which is what separates this from a slow zoom across a photograph.

Breath before expression

The preset asks for a breath, a blink and a few degrees of head turn. Small motion stays believable; a big performance is where these clips fall apart.

How it works

Three steps from print to clip

The one thing worth getting right is how much motion you ask for. Less is more convincing.

1

Scan or photograph the print

A phone photo of a print is fine as long as it is square-on and evenly lit. Avoid flash — the glare off a glossy print is the one thing that genuinely blocks a good result.

2

Ask for small motion

The preset asks for a breath, a blink and a few degrees of head turn. Resist the urge to request more; large movement is where these clips stop being believable.

3

Generate and download

A few seconds of video comes back with sound, ready to send to the rest of the family.

What people animate

What people bring back

Almost all of it is family. The rest is history and archives.

Grandparents, most of all

One studio portrait, often the only one anyone has. Seeing the two of them turn and look at each other is the moment people describe afterwards, not the technology.

The family group nobody remembers posing for

A five-person plate from the 1800s where everybody is holding still for the exposure. Colourising and animating it turns a document into a room with people in it.

A single face from a damaged plate

Faded, scratched, silvered at the edges. Repair and motion in the same pass, and a portrait that was barely readable becomes someone looking back at you.

Historical figures and archive photographs

Museums, local history projects and school lessons all use the same trick for the same reason: a moving face holds attention that a wall of stills does not.

A memorial slideshow that is not all stills

Two or three animated frames inside a slideshow change its pace completely. If you want the still version to look its best first, the AI aging filter works the other direction on the same kind of portrait.

Anniversary and birthday messages

A short clip built from a photograph the recipient has known their whole life, sent on the day. It travels better than a card.

Answers

Animation FAQ

No — that is the Ken Burns effect, where the camera moves and the photograph does not. Here the camera is locked and the subject moves: breathing, blinking, a small head turn. It is the harder half of the problem and the reason the result reads differently.

Yes, and often more worth it than a clean but boring picture. Repair it first for the best result, but heavy damage is not a blocker on its own.

A few seconds. That is deliberate rather than a limit — small motion stays believable for a short run and starts to drift if you stretch it.

It has to invent something: a head turning reveals geometry the photograph never recorded. Asking for small motion keeps that invention to a minimum, which is exactly why the preset asks for so little.

Yes, and it is worth asking them first. A clip of a real person doing something they never did is convincing to anyone who sees it out of context.

Yes — video is a much larger job than an image edit, so it costs more per run, and the estimate is shown before you generate. Paid credits open the stronger video models, which handle faces with far less drift.

Kavel pricing — pay only for what you generate

One credit pool covers Nano Banana images and Seedance and Veo video. The cost shows before every run, and failed jobs are not charged. Use a subscription for ongoing work, or a one-time pack when you just need to top up.

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A monthly balance that keeps a steady run of clips and images going — on every model Kavel carries.
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$59.80
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Quantity1x · $29.90
Total: 3,150 credits

What's included

  • Videos from $0.15 · images from $0.02
  • 3,150 credits per month
  • Up to 210 videos or 1,570 images a month
  • Works with Nano Banana images and Seedance and Veo video
  • Cost preview before you generate
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Creator

For regularly making Kavel drafts, final clips, and the image assets that go with them.
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$119.80
$59.90 / month
The best pick if you create on a regular basis.
Quantity1x · $59.90
Total: 7,200 credits

What's included

  • Videos from $0.13 · images from $0.017
  • 7,200 credits per month
  • Up to 480 videos or 3,600 images a month
  • Access to Seedance 2.0, Fast, and Mini
  • Nano Banana 2 generation and editing
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Studio

For more output, high-resolution testing, and larger batches.
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$199.80
$99.90 / month
Ideal when several campaigns share one pool.
Quantity1x · $99.90
Total: 13,200 credits

What's included

  • Videos from $0.12 · images from $0.016
  • 13,200 credits per month
  • Up to 880 videos or 6,600 images a month
  • Built for high-volume Kavel generation
  • Plenty of room for 4K Kavel runs
  • Available across the supported models

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One-time top-ups — buy extra credits any time you run low.

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  • Videos from $0.20 · images from $0.027
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  • Up to 100 videos or 750 images
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Credit Pack 3600

Pay once for a run of final video renders. Credits land instantly and never expire.
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Total: 3,600 credits

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  • Videos from $0.17 · images from $0.023
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Credit Pack 9000

A production-scale top-up for large prompt batches.
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Total: 9,000 credits

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  • Videos from $0.14 · images from $0.018
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Use one balance across every supported image and video model — all of them listed below — and check the credit cost before each request.

Video models

Image models

Model credit guide

What each model costs in credits

You're only charged for successful generations. The exact estimate in the generator varies by model, length, resolution, audio, and number of images.

TypeModelCredit cost
VideoSeedance 2.5The long-take tier, priced per second: 5s 480p ≈ 211 credits, 5s 720p ≈ 473. A full 30s take runs ≈ 1,260 at 480p and ≈ 2,835 at 720p. Supplying a reference clip lowers the per-second rate.
VideoSeedance 2.05s 720p image-to-video ≈ 188 credits; text-to-video ≈ 308 credits. Scales with resolution and length.
VideoSeedance 2 FastFaster and lower cost. 5s 720p text-to-video ≈ 248 credits.
VideoSeedance 2 MiniThe cheapest Seedance tier. 5s 720p ≈ 154 credits, 5s 480p ≈ 72 credits.
VideoSeedance 1.5 ProAudio doubles the rate. 5s 720p ≈ 27 credits silent, ≈ 53 with audio; 1080p ≈ 57 and ≈ 113.
VideoVeo 3.1Billed per video, not per second (Lite tier). About 45 credits at 720p and 53 at 1080p.
VideoKling 3.0Audio raises the rate. 5s 720p ≈ 105 credits silent, ≈ 150 with audio; 1080p ≈ 135 and ≈ 203.
VideoMiniMax H3Fixed 2K, no resolution ladder. Priced per second — a 5s clip ≈ 158 credits.
ImageNano Banana 2Generate or edit from text and images. 20 credits per 1K image, 30 at 2K, 45 at 4K.
ImageNano Banana ProConsistent run times across generations. 30 credits per 1K or 2K image, 50 at 4K.
ImageNano Banana 2 LiteFaster, simpler variant, and the everyday editing price: a flat 8 credits per image at every resolution.
ImageGPT Image 2The lowest-cost premium image model here. 10 credits per 1K image, 15 at 2K, 30 at 4K.
ImageSeedream 5.0 LiteFlat pricing — 20 credits per image whether you generate or edit.

Bring one back

Pick the portrait everyone in the family already knows. Watching it move is the part nobody is ready for.