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The ink you have · The idea you are weighing · A preview in seconds

Tattoo Cover Up Generator

Turn the tattoo you regret into a cover-up direction you can believe in: upload the old ink, see the strongest candidates on your own arm, and walk into the consultation ready to choose instead of ready to explain.

Density where it countsThe bigger footprint, visualisedWalk in with pictures
Before / after

A faded band, then a peony over it

Our own run on this site's engines. Drag the divider and look for the band: the point of the demo is that you cannot find it, and that the new piece needed considerably more room than the old one occupied. Every output is AI-generated; what your ink allows is a question for your artist.

Tattoo cover up — a blackwork peony absorbing the old band
After — blackwork peony
Tattoo cover up — the old tribal band that needed covering
Before — the faded band

Drag to compare before and after

AI image tool

What a cover-up preview is for

It takes a photo of the tattoo you want gone and renders a proposed new piece over it — dense enough to absorb the old shape, extended past its edges, shaded to your photo's own light.

Image tool

Cover-up searches come with a mood the rest of the tattoo world does not have. Nobody browsing here is excited; they are stuck with a name, a faded tribal band, or a piece from an artist they now know was bad, and they have been putting off the conversation. The pair on this page is our own run and it shows the real constraint honestly: an aged tribal band with edges blown out and black faded to blue-green, covered by layered blackwork.

Where this stops being reliable: it renders a plausible cover-up, not a guaranteed one. Whether your ink can actually be covered depends on how deep it sits, how the skin healed, and what your artist can lift first.

Creative engine

How the preview runs

Photograph the existing tattoo, describe the piece you are weighing, generate.

The ink you have
In one line, or with a sketch
Rendered on top
Darker, and usually bigger

Darker, and usually bigger

Any preview that covers old ink with something small or pale is lying to you. The useful ones look heavier than you hoped — that is not the tool being pessimistic, it is the only way ink actually covers ink.

Three candidates, one arm

Three candidates, one arm

Floral, geometric, blackout — run all three on the same photo and the choice narrows itself in a couple of minutes. Walking into the studio with three references beats walking in with a feeling.

How to use

Three steps to a candidate worth showing

Photograph the problem properly and the proposals get far more useful.

  1. Shoot the old tattoo flat and lit

    Even daylight, the limb square to the camera, the whole piece in frame with several centimetres of clear skin around it. That surrounding skin is where the new design has to go, so leave it in the shot.

    Shoot the old tattoo flat and lit
  2. Name a style, not a picture

    "Dense blackwork florals", "heavy geometric mandala", "dark botanical with stippled shading" — styles carry the weight information a specific subject does not. Add "must fully cover the existing tattoo" and say what the old piece is.

  3. Push until it stops showing through

    If the old outline is still visible in the render, ask for more solid black and a larger footprint and run it again. The version that finally works is the honest answer to how big this has to be.

    Push until it stops showing through
Who it's for

Who is looking at covering ink

Three situations, one awkward tattoo each.

The name

The name

A relationship ended and the lettering did not. Script is one of the easier things to bury because it is thin and linear — see which shapes eat it cleanly before you resign yourself to a full blackout.

The nineties piece

The nineties piece

A tribal band or barbed wire, faded to blue-green, bought at nineteen. These need serious weight and usually a larger footprint, so preview a few dense candidates to see which style can bury the band without losing its shape.

The bad execution

Wobbly lines, patchy fill, an artist you should not have trusted. Sometimes the answer is a rework rather than a cover — and comparing a preview against what the design looks like as clean linework tells you quickly which conversation to have.

Answers

Cover-up FAQ

What people ask before booking a cover-up consultation.

Not any tattoo with any design. Dense black, heavy saturation and scar tissue all restrict what will sit on top, and a few sessions of laser lightening first is a normal part of the plan rather than an admission of defeat. A preview shows you the ceiling of what is plausible; only an artist looking at the actual skin can confirm it.

Because that is how covering ink works. New pigment goes over old, so the fresh design has to be darker in the overlap and needs clear skin around it to read as a shape at all. If a preview comes back the same size as the original, it has not solved the problem — it has drawn next to it.

It renders them, and you should be sceptical of the result. Colour over old ink shifts unpredictably depending on what is underneath — a red that looks right in a render can go muddy on skin that already has green in it. Use colour previews to discuss direction with an artist, not to set expectations.

Yes. Add their drawing next to your photo and ask for that design placed over the existing tattoo. This is the most useful thing on this page: it turns their sketch on paper into a picture of your own arm, which is the version you can actually judge.

Bring them as direction, not as a brief. Artists who specialise in cover-ups work from what the old ink allows, and a render that ignores that will get politely rewritten. Saying "this weight, this density, roughly this footprint" is far more useful than handing over a picture and asking for it exactly.

It travels over HTTPS for the edit and stays in your own history until you delete it. It is never used to advertise. Every output is AI-generated.

Kavel pricing — you pay per generation, never per seat

Credits are shared across everything Kavel runs. You see the cost before each run, and a failed job is never charged.

50% OFFYour first purchase is half price
No sign-up

Free

Start generating before you pay anything, and keep earning credits every day you come back. No card, no account needed.
Incl. tax
$0
Start generating

What's included

  • 15 credits before you sign up
  • +40 when you create an account
  • +100 a week from daily check-ins
  • = 488 a month — 97 images or 12 videos
  • No card, no account
  • Free engine every day
  • Photo editing

Start here

Starter

The whole shelf from day one — video, image and editing engines on one balance, with enough of it each month to keep a project moving.
Incl. tax
$59.80
$29.90 / month
The whole shelf is open from day one.
Need more each month?1x · $29.90
1×

What's included

  • 3,150 credits per month
  • Up to 630 images or 78 videos
  • Every model unlocked
  • Clean downloads, no watermark
  • Cost shown before you generate

Popular

Creator

For work that ships weekly: drafts, final clips and the stills that go with them, with your runs off the shared queue.
Popular
$119.80
$59.90 / month
The best pick if you create on a regular basis.
Need more each month?1x · $59.90
1×

What's included

  • 7,200 credits per month
  • Up to 1,440 images or 180 videos
  • No shared queue
  • Every model unlocked
  • Clean downloads, no watermark

Scale

Studio

For 4K finals and large batches — the biggest monthly balance, off the shared queue, across every engine on the shelf.
Incl. tax
$199.80
$99.90 / month
Ideal when several campaigns share one pool.
Need more each month?1x · $99.90
1×

What's included

  • 13,200 credits per month
  • Up to 2,640 images or 330 videos
  • Built for 4K runs
  • No shared queue
  • Every model unlocked

Pay safely and securely with

Payments are processed by Stripe over an encrypted checkout. Your card details are handled by Stripe and are never stored by Kavel.

Find out what can sit on top of it

Upload the piece you regret, weigh three candidates on your own arm, and walk into the consultation with something to point at — or see it erased instead.