Upload a photo · Name the flinch · Six seconds, camera locked
Shock is the easiest of the reaction effects to get right, because it is mostly one clean beat: everything snaps open at once and then holds. What makes or breaks it is the flinch — a small backward pull of the head and a lift of the hands. Without that the face looks surprised in a photograph way rather than reacting in a video way.
Generated on this page's engine while building it. The source was a man standing against a plain wall in a white t-shirt, looking straight at the camera. Every output is AI-generated, so your timing and intensity will differ — read this as what the effect can hold.
The clip does the whole beat: eyes snapping wide, eyebrows shooting up, mouth falling open, and — the part that sells it — the hands coming up and out, palms open, while the head pulls back a fraction. The white t-shirt, the watch and the wall are unchanged from the photo.
Open the video studio
A standing full-length shot against a plain wall, arms down, neutral face. Worth seeing because the reaction adds the hands — they are not in the source pose at all, which is the part a face-warp filter could never have produced.
Try it on your own photoIt is an image-to-video effect: one still photo goes in and a short clip comes back of that person reacting with shock — eyes stretching wide, eyebrows lifting, mouth falling open, with a small recoil of the head.
The reason this became a template on every video-effects site is that shock is the most reusable reaction there is: it works over a caption, over a cut, over someone else's news. What the generation model adds over an old face-warp filter is that the mouth opens onto a real interior and the head can actually move back, so the clip reads as a moment rather than a stretched photograph.
Creative engine
Upload the photo, keep the preset prompt, pick the length. The credit estimate shows before you generate and a failed run is never charged.
A small backward flinch of the head, hands lifting slightly. Faces alone read as posed surprise; the recoil is what makes a viewer believe something just happened.
Shock that snaps back to neutral looks like a glitch. Ask it to hold the expression and settle slightly — that is how the six seconds end on something usable.
The head pulls back and up in a real flinch. A photo cropped tight to the hairline gives the model nowhere to move, so it compresses the motion into the face.
Its two siblings are the laughing face effect, which needs a full arc, and the scared face effect, which is the same open-mouth shape until you add fear to the body.
Three clauses worth writing down. Skip them and the model widens the eyes and stops there.
Say eyes snapping wide, eyebrows shooting up, jaw dropping open. Verbs with speed in them produce a fast beat; gentle verbs produce a slow, dreamy expression change that reads as something else entirely.
A small backward flinch, shoulders rising, hands lifting. This is the single change that moves a clip from posed to reacting, and it is the thing most prompts leave out.
Locked-off camera, same background. A push-in on a reaction clip fights the expression, and it makes the six seconds impossible to cut into anything else.
Three uses that keep this effect on every template list.
Six seconds of someone reacting is the connective tissue of short-form editing — and generating it from a still means you do not have to film it.
Your own face, actually reacting, lands harder than a stock GIF in a group chat, which is where most of these clips end up.
Pair the reaction with the thing being revealed — a room, an outfit, a movie poster of the recipient — and you have a two-shot edit out of two still images.
What it needs, where it breaks, what a run costs.
No — the engine behind this page generates picture only, so a gasp or a sound effect has to be added in your editor. The clip is written to read as shock silently, which is why the body movement carries so much of it.
The difference is speed and the body. Use snapping and shooting rather than opening and raising, and add a backward flinch with the hands lifting. Surprise is a face; shock is a face plus a recoil.
Yes, but the transition is more visible — the model has to travel further from the source expression, which sometimes shows as a soft frame or two at the start. A neutral source photo gives the cleanest snap.
Only through direction, not through a second image. You can say reacting to something off-camera to their left and the eyeline usually follows, which is enough to cut the clip against whatever you want the shock to be about.
Hands entering frame are the hardest part of any generated clip, and a raised-hands flinch asks for exactly that. If a run comes back with a bad hand, generate again rather than adding more instructions about fingers — retries are cheaper than fighting it.
This page uses the free engine, so free credits cover the first attempts. After that a clip costs credits by length and resolution, the estimate shows in the generator before you start, and a failed run is never charged.
One credit pool covers Nano Banana images and Seedance and Veo video. The cost shows before every run, and failed jobs are not charged. Use a subscription for ongoing work, or a one-time pack when you just need to top up.
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Use one balance across the supported image and video models (Nano Banana 2 / Nano Banana Pro / Seedance 2 / Veo 3.1), and check the credit cost before each request.
Video models
Image models
Model credit guide
You're only charged for successful generations. The exact estimate in the generator varies by model, length, resolution, audio, and number of images.
| Type | Model | Credit cost |
|---|---|---|
| Video | Seedance 2.0 | 5s 720p image-to-video ≈ 188 credits; text-to-video ≈ 308 credits. Scales with resolution and length. |
| Video | Seedance 2 Fast | Faster and lower cost. 5s 720p text-to-video ≈ 248 credits. Mini is cheaper still. |
| Video | Veo 3.1 | Billed per video (Lite). About 34 credits at 1080p, about 23 at 720p. |
| Image | Nano Banana 2 | Generate or edit from text and images. About 8 credits per 1K image, 12 at 2K, 18 at 4K. |
| Image | Nano Banana Pro | Consistent run times across generations. About 12 credits per 1K or 2K image, 21 at 4K. |
| Image | Nano Banana 2 Lite | Faster, simpler variant. About 8 credits per image. Start here to test. |
One still photo, a named flinch, six seconds. Free credits cover the first tries.